16 Striking Photos From This Year’s Best Wildlife Photographers
From a black bear relaxing in a swimming pool to bonnet mushrooms glowing up the night sky, see some of the winning photos from this year’s Wildlife Photographer of the Year contest.

One morning in Namibia’s Huab River Valley, Federico Veronesi rose to pick up the tracks of an elephant group he had seen the day before while leading a safari. He followed them to a dry riverbed, where he noticed a strange drag mark in the sand. He thought it was perhaps a trace of a bull elephant dragging a log as a show of strength. But when he caught up with the family, he saw the true source: a female elephant carrying a deceased calf, its leg wedged between her trunk and tusk.
In “The Aftermath,” Veronesi captures this tragic moment in an image that earned him the title of 61st Wildlife Photographer of the Year, awarded today by London’s Natural History Museum. “It was really such a private moment, I almost thought maybe I shouldn't take these photographs,” says Veronesi. “But then I actually realized this is such a deep and fascinating window into the soul of these creatures.”
This year’s competition received a record-breaking 65,403 entries from 121 countries and territories. The competition celebrated category winners whose photographs showcase powerful stories from the natural world. The grand prize went to Veronesi’s portrait, which the judges found to be a challenging yet impactful insight into complex animal behavior.

(What Are Animals Thinking? They Feel Empathy, Grieve, Seek Joy Just Like Us.)
“This photograph works on so many levels,” said competition chair Kathy Moran in a press release. “Emotionally it’s a gut punch, heartbreakingly poignant. Intellectually it’s proof that animals have cognition. This photograph says it all!”
Both African and Asian elephants have complex behaviors in response to death, including evidence of relatives and non-relatives guarding, carrying, and inspecting the dead in a way that has led scientists to wonder if these behaviors are mourning rituals. “There is a lot going on in them trying to make sense of death, in a way, and this baby was certainly part of that relationship,” says Veronesi.
After he captured this shot, Veronesi watched the female elephant carry the calf up a rocky hill, occasionally setting it down just to feed on a small bush before gathering it up again. Curiously, the elephant didn’t look like she’d recently given birth, so he contacted a local elephant research project to find out more. The researchers said this female had lost a baby a few years earlier and has since been seen picking up other dead calves. “It's probably a way for her to try to reconnect to that experience in a way,” says Veronesi. “It shows an even higher level of complexity of emotions and reactions.”
With his image, Veronesi hopes to convey the inner complexity of elephants, even if it is something we don’t yet fully understand. “It's very clear that emotionally we are much more similar to them than what is thought,” he says.
Capturing the shot was challenging, says Veronesi, requiring a quick reaction in the moment and—as always—having the camera ready. “I try to make that flow, that connection between the moment and and taking the photograph as streamlined as possible, because these moments are all fleeting, ephemeral,” he says.
Presenting the image in black and white also serves to heighten the connection between animal and viewer, he says. Through this connection, his hope is to inspire people to consider elephants as individuals, in a way that may benefit decisions around their conservation. “Eventually that will help to shape the relationship we have with animals and nature,” he says.













